פרסומים

 

1

Preface.
Zohar Eitan
pp. 5-6

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2

The Marvels of the HumanVoice:
Poem-Melody-Vocal Performance.
Eliezer Rapoport
pp. 7-36

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3

An Empirical Study of Intonation in Performances of J. S. Bach's Sarabandes: 
Temperament, 'Melodic Charge' and 'Melodic Intonation'.
Eitan Ornoy
pp. 37-76

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4

Performance in Theory and in Practice:
Helmuth Rilling’s Interpretations of Bach’s B minor Mass.
Uri Golomb
pp. 77-115

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5

Communication of (e)Motion through Performance:
Two Case Studies.
Renee Timmers
pp. 116-140

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6

Intensity and Cross-Dimensional Interaction in Music:
Recent Research and its Implications for Performance Studies.
Zohar Eitan
pp. 141-166

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