פרופ' יונה פינסון

חוג לתולדות האמנות בדימוס
פרופ' יונה פינסון
טלפון פנימי: 03-6408482
טלפון נוסף: 03-6409481
טלפון חיצוני: 02-5637049
פקס: 03-6407781
משרד: מכסיקו, 214

מידע כללי

קורות חיים

Education
1973-1982
University of Paris, Sorbonne IV, France Ph.D. (Direct Ph.D. Program)
Doctoral Dissertation: Les Portes du Trésor de Saint –Bertin et la peinture du Nord de la France (Première moitié XVIe Siècle).
Supervisor: Professor Jacques Thuillier of the Collège de France.
Awarded: June, 1983
1973
DEA, University of Paris, Sorbonne IV, France
1969-1971
The Hebrew University, Jerusalem; M.A. studies in History of Art
1968-1969
The Hebrew University, Jerusalem; Teaching Diploma in Art History and Hebrew Literature. Award1970.
1965-1969
The Hebrew University, Jerusalem; Hebrew Literature and History of Art, B.A. Degree. Award 1969
 
Academic position
2007-
Tel Aviv University, Tel Aviv, Art History Department, Associate Professor
2005-2008
Head of the Art History Department
2001-2003
Head of the Art History Department
1998-
Head of the Renaissance Division
1998-2007
Tel Aviv University, Tel Aviv, Art History Department, Senior Lecturer
1998-1999
The Hebrew University, Jerusalem, Visiting Lecturer
1991-1998
Tel Aviv University, Tel Aviv, Art History Department, Lecturer
1990-1991
Tel Aviv University, Tel Aviv, Art History Department, Visiting Lecturer
1987-1990
Bezalel Academy of Arts and Design, Jerusalem, Teaching Assignment.
1987-1988
Haifa University, Haifa, Teaching Assignment.
1986-1990
Tel Aviv University, Tel Aviv, Art History Department, Teaching Assignment.
1984-1986
Tel Aviv University, Tel Aviv, Art History Department, Doctoral Instructor.
1982-1984
Tel Aviv University, Tel Aviv, Art History Department, Instructor.
1974-1982
Tel Aviv University, Tel Aviv, Art History Department, Teaching Assignment.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

פרסומים

BOOKS
REFEREED ARTICLES
"Le triumphe de Haulte folie: Emblematic and Misogynist Discourses", Emblematica. An Interdisciplinary Journal for Emblems Studies, 2007,Vol. 15, (pp.1-27).
The Emblematic Discourse of Le Triumphe de Haulte folie (The Triumph of Dame Folly, Lyons, c.1550), Emblematica. An Interdisciplinary Journal for Emblems Studies, Vol. 15 2007 (pp.1-27)
"Devil and God, Filth and Purity in Pucelle’s Hours of Jeanne dEvreux (ca.1325-1328)", Manuscripts in Transition. Recycling Manuscripts, Text and Image. Corpus of Illuminated Manuscripts, Vol. 15, Low Countries Series, 10, Brigtte Dekeyzer and Jan Van der Stock, eds. [A special issue; selected papers with reviewing], 2005 (pp.159-171).
"Deniers of God. Insipiens / Stultus, On Board of the Ship of Fools (1494)", Acta Historiae Artium, vol. 44, 2003, (pp. 97- 108).
"Holbein’s Insipiens — Folly and Childishness go Hand by Hand", Source. Notes in the History of Art, vol. XXII, No.3 Spring 2003, (1-7).
"Folly and Vanity in Bruegel’s Dulle Griet: Proverbial Metaphors and their Relationship to Bosch’s Imagery", Studies in Iconography, vol. 20, 1999, (pp. 185–213).
"The Interrupted Banquet in Bruegel’s Triumph of Death", The Profane Arts of the Middle Ages, vol. 6, No. 2, 1997, (pp. 303–315).
"Fall of the Angels and the Creation of Eve in Bosch’s Eden — Meaning and Iconographical Sources", Corpus of Illuminated Manuscripts from the Low Countries, Flanders in a European Manuscript Illumination Around 1400 in Flanders and Abroad. Corpus of Illuminates Manuscripts.Corpus of Illuminated Manuscripts, Vol. 8, Low Countries Series, 5,M. Smeyers and B. Cardon eds. Leuven, Peeters, 1995 (pp.693–707). [A special issue, selected papers with reviewing].
"The Water‑mill in Breughel’s Witch of Malleghen (1559) or Incurable Folly", Source. Notes in the History of Art, vol. XII, 1993 (pp. 30–33)
"La Dame et le Fou", Gazette des Beaux - Arts, vol. CXII, 1993 (pp. 1–16)
"האשה והשוטה באמנות האירופית במאות ה-16וה-17" מוזות מכללת בית ברל, 1989 (47–34)
"L’Evolution du Style Renaissant dans les Entrées des Charles Quint à Valenciennes", Gazette des Beaux- Arts, vol. CXIII, 1989 (pp. 201–213).
"Polyptyque de la Légende de Saint Sébastien et de la Peste (Avesnes‑sur‑Helpe)", Gazette des Beaux- Arts, vol. CXI, 1988 (pp. 229–238).
"Les Puys d’Amiens 1518–1525; Problèmes d’Attribution et l’Evolution de la Loi de Genre", Gazette des Beaux- Arts, vol. CIX, 1987 (pp. 47–61).
CHAPTERS IN BOOKS
"La Nef de Folles (The Ship of Female Fools) be JehanDrouyn (Paris c. 1500)", The International Emblem: From Incunabula to the internet, (ed. Simon McKeown), Cambridge, Cambridge Scholars Publishing, 2010 , pp. 82-96.
"A Moralized Semi-Secular Triptych by Hieronymus Bosch, in The Sources of Bosch", Jheronymus Bosch Art Center, s’Hertogenbosch (ed. Jos Koldeweij and Willeke Cornelissen - van de Steeg, (solicited paper; accepted).
"Moralized Triumphal Chariots – Metamorphosis of Petrarch’s Trionfi in Northern art (ca. 1530-ca. 1560)", Cultural Exchange between the Netherlands and Italy, 1400-1530, Ingrid Alexander-Skipns (ed.), Turnhout, 2007, (pp. 203-223).
"The Femme Fatale - Eve/Venus/Luxuria", Pictoriallanguages and their MeaningsLiber Amicorum in honor Nurith Kenaan-Kedar, Christine B. Verzar and Gil Fishhof, (eds.), Tel Aviv University, 2006 (pp. 339-352).
"Witchcraft / Sorcery", Encyclopedia of Comparative Iconography. Themes Depicted in Works of Art, Chicago, London, Roberts, Fitzroy Dearborn, ed. by Helen E. Roberts, 1998, vol.2, (pp. 947–956). (Solicited essay)
"Music (an essay)", Encyclopedia of Comparative Iconography. Themes Depicted in Works of Art, Chicago, London, Roberts, Fitzroy Dearborn, ed. by Helen E. Roberts , 1998, vol. 2, (pp. 629-637).
PAPERS PRESENTED AT SCIENTIFC MEETINGS PUBLISHED IN PROCEEDINGS
Hieronymus Bosch: Marginal Imagery Shifted into the Center and the Notion of Upside Down. Metamorphosis of Marginal Images: From Antiquity to Present Time, Nurith Kenan-Kedar and Asher Ovadia (eds.), 2001, (pp. 203–211).
עיטור שולי הדף בספר השעות של ג’אן ד’אוורה מידי ז’אן פוסל — האמנם דרולרי? מותרמס. 3 , 1995 (71–80).
אדריכלות וסצינוגרפיה ביצירת פוסן, מותר, מס. 2, 1994 (27–34).
קארווגיו — זעקת האני, מותר, מס. 1, 1993 (99–93).
אוניברסיטת תל-אביב, ת.ד. 39040, תל-אביב 6997801
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