ד"ר עדינה מאיר מריל

בדימוס בחוג לתולדות האמנות
חוג לתולדות האמנות בדימוס
טלפון פנימי: 03-6408482
פקס: 03-6407781
משרד: מכסיקו

קורות חיים

  • 25. 3. 1944, Naumburg/Saale - Germany
  • 1951 - 1972 living in Berlin
  • since 1972 in Israel
  • divorced, two children (Daphna-1974; Daniel-1976), five grandsons (Assaf-2003, Itamar 2005, Adam 2006, Uri 2010, Yoav 2010)
  • lives in Givat Ada, HaArava 4b

 

Education
1954-62 Berlin, Franzoesisches Gymnasium/College Francais
1962-3 Berlin, Lette-Verein, French & Spanish Commercial Correspondence.
1963-1971 Berlin, Freie & Technische Universitaet, Studies of Art History, Judaistic, Balkanology and Romance Languages.
1971 Dr. phil. "magna cum laude"; Dissertation/book: Paul Mebes, Miethausbau in Berlin 1906-38. Berlin 1972. Supervisors: Prof. Claus Zoege von Manteuffel & Prof. Julius Posener.
1988 14. April 1988: "Paul Mebes, Bauen in Berlin 1906-1938", Studio der Akademie der Kuenste, Berlin (lecture)
 
Academic position
1972 - 2012

Senior lecturer at Tel Aviv University, Dept. of Art History

 

1980-1982 Lecturer at Bezalel Academy of Arts and Design, Jerusalem
1980-84;1994 Lecturer at the Institute of Technology, Holon
1984-1988 Lecturer at the Hebrew University, Jerusalem
1985;1988;1999 Lecturer at the Faculty of Architecture, Technion, Haifa
1994 Scientific Adviser: Israeli Government: Governmental Buildings
1994-2000, 2006- Co-founder and teacher of the School of Architecture, Tel Aviv University
1995 Jury - Israel-Prize, section: Architecture, sculpture, painting
1996-1997 Head of the Department of Art History, Tel Aviv University
1997-2001 Commitee chairperson, Council of Higher Education
2003-4 Lecturer at the College of Technology Education , Tel Aviv

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

פרסומים

Paul Mebes, Miethausbau in Berlin 1906-38, Berlin, Richard Seitz Verlag 1972

Oskar Kaufmann's "Habimah"-Theater in Tel Aviv. Architektur, Stadt u. Politik. Julius Posener zum 75. Geburtstag. Giessen, Anabas Verlag, Werkbund-Jahrbuch 4, 1979, 135-144.

Wilhelminische Synagogen von Cremer & Wolffenstein, Architectura, 10, 1980, 169-184.

Synagogue Architecture in Germany from the Period of the Emancipation to World War I, catalog, Tel Aviv, Beth Hatefutsoth (Diaspora-Museum), 1980, 39-41.

Die 'Habimah' und ihre Baugeschichte. Assaph. Studies in Art History I. Tel Aviv University, 1980, 201-215.

Die Dormition auf dem Berge Zion in Jerusalem, eine Denkmalskirche Kaiser Wilhelm II. im Heiligen Land. Architectura, 14, 1984, 149-170.

Paul Baumgarten und das Buero Mebes & Emmerich. In: Paul Baumgarten. Bauten und Projekte 1924-1981. Berlin, 1988, Schriftenreihe der Akademie der Kuenste, 19, 18-26

The Ancient Synagogue of Aleppo. In: Treasures of the Aleppo Community, Jerusalem, The Israel Museum, 1988, 16-19.

The 'Great Synagogue' in Tel Aviv, Cathedra, 57, 1990. 105-119 [Hebrew]

Europaeische Staedtebauideen in Palaestina 1909-1939. Das Beispiel Tel Aviv, Architectura, 1992, 135-148.

The 'Great Synagogue' in Hedera. In: Hedera, Hundred years and so on... Jerusalem, Ariel Publ. 1993, 76-82 [Hebrew]

Die stilistische Entwicklung der Tel Aviver Architektur von der Gruendung der Stadt im Jahre 1909 bis 1933. In: Tel Aviv. Neues Bauen 1930-1939. Ed. Winfried Nerdinger, Berlin, Tuebingen, Wasmuth 1993, 26-33.

Water Towers in the 19th and early 20th centuries: Industrial structures or artistic architecture? In: Water Towers in Israel 1891-1993. Catalog. Tel Aviv University, Genia Schreiber Art Gallery, 1993, 123-124.

Influences and Context. In: W. J. Wittkower, "The cool breeze comes from the West". Catalog. Tel Aviv University Publ. 1993, 105

Museums, yesterday and today. In: The Museum, 9, 1993, 20-21 [Hebrew].

Synagogues built in the International Style (1930-1939), in: Ariel,no 100, 1994, 209-215. [Hebrew]

The Image of the Architect and Architecture: Paris in the 19th century. In: Motar. Architecture and the Arts. 1994, No 2, 141-148.[Hebrew]

The stylistic development of architecture in Tel Aviv from its foundation in 1909 to 1933. In: Tel Aviv. New Architecture 1930-1939, Ed. Winfried Nerdinger. Berlin, Tuebingen, Wasmuth, 1994, 24-35.

Alexander Levy, the planner of the 'Pagoda-House' in Tel Aviv, a forgotten architect, Cathedra, 71, 1994, 61-73. [Hebrew].

Worker's settlements in Eretz-Israel. In: Social Utopias of the Twentieth. Bauhaus, Kibbutz and the Dream of the New Man. Ed.: Jeannine Fiedler. Publ. of the Bauhaus Dessau Foundation and the Friedrich-Ebert-Foundation, Tel Aviv. Germany 1995, 90-95.

Structure as Decoration in Modern Architecture. Motar. 3. Ornament. 1995, Tel Aviv University, 81-86. [Hebrew].

Artistic ceramics on buildings. In: Tiles Adorned City. "Bezalel" Ceramics on Tel Aviv Houses 1923-1929. Eretz Israel Museum, catalog, Tel Aviv, 1996, 156-159. [Hebrew]

Jerusalem in Grossformat. Die 'Heilige Stadt' in der deutschen Monumentalmalerei des 19. Jahrhunderts. In: Assaph, 1996, Studies in Art History, Section B, No 2, Tel Aviv University, 205-232. http://www.tau.ac.il/arts/projects/PUB/assaph-art/assaph2/articles_assap...

Classical Elements in Synagogue Architecture of 19th and 20th centuries. In: The Howard Gilman International Conference, I, Hellenic and Jewish Arts. Interaction, Tradition and Renewal. Ed. : Asher Ovadiah. Tel Aviv University, Ramot Publ. House, 1997, 223-229

Eugen Bracht (1842-1921), a painter of Eretz-Israel Landscapes. In: Ariel, no 118-119, 1997, 235-240. [Hebrew].

The Abanded Corset. Artists as Fashion Designers at the End of the 19th and Beginning ot the 20th Century. In: Motar. Women in the Arts. Tel Aviv University, The Yolanda and David Katz Faculty of the Arts, No. 5, May 1997. 27-32. [Hebrew]

Die Architektur deutsch-juedischer Emigranten in Israel. In: Architektur und Ingenieurwesen zur Zeit der nationalsozialistischen Gewaltherrschaft 1933-1945. Ed.: Ulrich Kuder, Berlin, Wasmuth 1997, 14-41.

The Auguste Victoria Compound on Mt.Olives. In: The Mount which was before the city. Eds.: G. Barkay & E. Schiller, Jerusalem, Ariel Publ. No 122-123,1997, 51-62. [Hebrew]

Alexander Levy - ein deutsch-juedischer Architekt zwischen Berlin, Tel Aviv, Paris und Auschwitz. Menora. Jahrbuch fuer deutsch-juedische Geschichte. 1998, 9, 315-338.

Conrad Schick, the builder and the architect. In: Conrad Schick for Jerusalem. Ed. Haim Goren, Jerusalem, Ariel Publ. No 130-131, 1998, 41-54. [Hebrew]

Israel. In: Lexikon der Architektur des 20. Jahrhunderts. Ed.: Vittorio Magnano Lampugniani. Ostfildern-Ruit, Hatje 1998, 16-19.

Walter Herzberg - Karikaturist und Kuenstler. In: Walter Herzberg, Kuenstler, Karikaturist, Humanist, 1898 bis 1943. Ed. Barbara Schieb. Hamburg, Doelling & Galitz, 1998, 32-35.

Mass-housing in the Fifties: Architectural Concepts in Israel and in the Western World compared. In: Challenge of Sovereignty. Ed.: Mordechai Bar-On. Jerusalem, Yad ben Zvi Publ., 1999, 275-285. [Hebrew]

Architecture, in: Hundred Years of Hebrew Culture in Eretz-Israel. Ed. Ora Ahimeir, Haim Beer. Tel Aviv 2000 [Hebrew].

Landscape and Architecture. In: Landscapes of Israel. Azaria Alon's Jubilee Volume. Essays on Landscapes, Nature and Lore of Israel presented to Azaria Alon. Eds. Gabriel Barkay & Ely Schiller, Jerusalem, Ariel Publ. 2000, 115-121 [Hebrew]

Dionyse, une source d'inspiration importante pour le tableau monumental 'Le Banquet de Platon' (1869) d'Anselm Feuerbach. In: Dionysos, Origines et resurgences. Ed.: Ilana Zinguer. Paris, J. Vrin, 2001. De Petrarque a Descartes, LXIX. 173-176.

Synagogenbau in Palaestina zwischen Tradition und Moderne. In: Judentum zwischen Tradition und Moderne. Eds.: Gerd Biegel & Michael Graetz, Heidelberg, Winter, 2002, Schriften der Hochschule fuer Juedische Studien Heidelberg, 2. 67-83.

What's the link between a suitcase in a parents home and a synagogue in Hedera? The lifework of the architect Judith Segall-Stolzer (1904-1990). In: Considerations in Keeping of Archives. No 4, Haifa, 2003, 8-12, 25-26.[Hebrew].

Poseners Einfluss auf die israelische Baugeschichte. Julius Posener zum 100. Geburtstag. Werk und Wirkung. Hrsg. Deutscher Werkbund, Berlin 2005. 87-90.

Himmelreich and "Culture shock". Alfons Himmelreich, photographer on the roof. 200 - 206, Exhib. Cat. Open Museum of Photography in the Tel-Hai Industrial Park, July 2005, 200-206.

Der "friedliche Kreuzritter" Kaiser Wilhelm II. Die Kreuzfahrerrezeption in der deutschen Kunst des 19. Jahrhunderts. Geschichte und bildende Kunst, Tel Aviver Jahrbuch für deutsche Geschichte XXXIV (2006),. 75-97.

Architects in Palestine: 1920-1948. Jewish Women. A Comprehensive Historical Encyclopedia,

http://jwa.org/encyclopedia/article/architects-in-palestine-1920-1948

 

"Architecture in Jerusalem".In: The History of Jerusalem, The Late Ottoman Period 1799-1917, Israel Bartal, Haim Goren (ed.) Jerusalem, Yad Yitzhak Ben-Zvi, 201o, pp. 181-195 [Hebrew].

Synagogue, waterworks or bank? Modernism in Synagogue Architecture during the British Mandate (1917-48) in Israel. Studies in Honour of Asher Ovadiah, ed.: sonia Mucznik. Assaph 2005-2006, Studies in Art History, vols. 10-11. 2006 Tel Aviv University.

"Women Architects build the land". Women Artists in Israel1920-1970. Ed.: Ruth Markus, Tel Aviv, Hakibbutz Hameuchad Publ. House 2008, 139-180. [Hebrew]

Forthcoming: The Architect Rudolf Reuven Trostler(1908-1998): Life and Work. Vienna - Jerusalem.

"Orientalism - More Than an Artistic Trend", The Orientalists, Postcards of the Holy Land, 1880-1935, Exhib. Cat. Tel Aviv, Eretz israel Museum, 2008, 8-12

"From a ’New Hebrew Style’ to a Moderate Modernism: Alexander Baerwald (1977-1930)", Thhe Beauty of Japheth in the Tents of Shem. Studies in Honour of Mordechai Omer. Eds.: Hana Taragan, Nissim Gal. Assaph 2010, Studies in Art History, vols 13-14, 537-546

"Suesser die Glocken nie klingen" - deutsche Kirchen in Jerusalem. Deutschland und Deutsche in Jereusalem, Conference 2007, Eds.: Haim Goren, Jakob Eisler. Jerusalem, Mishkenot She’ananim 2011. 32-45

אוניברסיטת תל אביב עושה כל מאמץ לכבד זכויות יוצרים. אם בבעלותך זכויות יוצרים בתכנים שנמצאים פה ו/או השימוש
שנעשה בתכנים אלה לדעתך מפר זכויות, נא לפנות בהקדם לכתובת שכאן >>