ד"ר תמר צולקמן

חוג לתולדות האמנות סגל אקדמי בכיר
ד"ר תמר צולקמן
טלפון נוסף: 03-6408482
פקס: 03-6407781
משרד: מכסיקו, 205

מידע כללי

Teaching

My research focuses on the temporality of art, especially in the way it was written and eternalized. My first project concerns the Ephemeral Art of Festivals during the 16th and 17th centuries, and more specifically, on the Northern tradition of the Joyeuse Entrée. My work on the 1599 Joyeuse Entrée of Albert and Isabella into Antwerp was concluded with a monograph, inquiring into theoretical problems of Ephemeral Art, such as the absent object and its realization in the written text (ekphrasis), as well as exploring its political agenda and aspects of civic propaganda. Following this study, I explored the transfer of the Festival tradition from the Netherlands to Portugal; the introduction of a universal discourse into the originally local tradition of the Joyeuse Entrée;  and the encounters between the visual, literary and the performing arts within it. More recently I perused this topic and examined the transference of the Triumphal Entry practice and imagery from the Old World to the New World (i.e. colonialism and Latin America). Another direction in my research is the visual rhetoric of the triumphal procession in five different subject matters (Ekphrasis, Utopia, Natural Magic, Marketing and Communication and Economy). My recent project concerns emblematics in Triumphal Entries, exploring the use of emblems as ‘visual footnotes'.

 

קורות חיים

ACADEMIC POSITION

2011 - present: Senior lecturer, Tel Aviv University, Art History Department

2014 - present: Chair of the Faculty of the Arts' Teaching and Admissions Committee, Tel Aviv University

 

AWARDS and GRANTS

2016 - Hauptprogramm der Herzog August Bibliothek Wolfenbüttel

2015 - 2016 - Israeli Science Foundation (ISF)

2011, 2007 -  Distinction for excellence in teaching, awarded by the Rector of Tel Aviv University

2006 - Dan David Prize Scholarship for Young Researchers – Past Time Dimension: Preserving the Cultural Heritage

2001-2005 - Rottenstreich scholarship

 

תחומי מחקר

Present Project: Emblemfn: Visual Footnotes to Joyous Entries

 

פרסומים

 

BOOKS:

1. Tamar Cholcman, Art on Paper: The Triumphal Entry of the Archdukes Albert and Isabella into Antwerp, 1599 (Turnhout: Brepols Publishers,   2014). ISBN: 978-2-503-52388-0, 158pp.

2. Tamar Cholcman and Assaf Pinkus eds., The Sides of the North, An Anthology in Honor of Professor Yona Pinson, (Cambridge: Cambridge Scholars Publishing, 2015). ISBN (10): 1-4438-7538-4; ISBN (13): 978-1-4438-7538-7, 198 pp.

ARTICLES:

1. Tamar Cholcman, "Moriturum Monumentum Non Morituris Cineribus: Jacob Franquart's Funeral Procession of Albert of Austria, 1622", Explorations in Renaissance Culture, 33.1 (Summer 2007), 109-132.

2. Tamar Cholcman, "An Historian Speaks Art, An Artist Talks History: a Discussion on Ephemeral Art", Image and Sound – Art, Music and History, Richard I. Cohen, ed., Jerusalem: The Zalman Shazar Center for Jewish History, 2007. 197-224. (in Hebrew)

3. Tamar Cholcman, “A Good Omen of Our Hope”: Ephemeral Art and Contemporary Politics in Antwerp, 1599”, History and Theory: Protocols, Jerusalem, http://bezalel.secured.co.il/zope/home/he/1220527665   15.10.2008 (Hebrew)

4. Tamar Cholcman, “The Merchant's Voice: International Interests and Strategies in Local Joyeuse Entrée. The Case of Portuguese, English and Flemish Merchants in Antwerp (1599) and Lisbon (1619)”, Dutch Crossing, A Journal of Low Countries Studies, Vol. 35 No. 1, March, 2011, 39–62.

5. Tamar Cholcman, "Views of Peace and Prosperity – Hopes for Autonomy and Self-Government, Antwerp 1599", RIHA Journal 0040 (2012), URL: www.riha-journal.org/articles/2012/2012-apr-jun/cholcman-views-of-peace-and-prosperity (date of access 23 August 2012).

6. Tamar Cholcman, “O Triunfo do Enigma: A Bruxa, Aliada de Pensamento”, Cadernos de Teoria das Artes, Serie Geral, 2013, Vol. 2, ed. Yolanda Espiña. 99-119. (Portuguese).

7. Tamar Cholcman and Dafna Maharshak, “Advertising gone Wrong - Sixtus V in the Image of Moses: The Fontana Dell’acqua Felice as a failed Communication Channel,” Studies in Visual Arts and Communication - an international journal, Vol. 1, No 1 (2014): 46-71.

Online version: http://journalonarts.org/previous-issues/vol-1-1-june2014/

8. Tamar Cholcman, “The Riddle of the Witch of Triumph – The Witch as the Ally of Reason,” SOURCE: Notes in the History of Art, Vol. 34, No. 4 (2015), pp. 10-16

9. Tamar Cholcman, “The Emblems of Triumphal Entries – See Footnote by the Author,” Word and Image, Vol. 31, No. 3 (2015). pp.350-361

10. Tamar Cholcman, “Word into Image into Word: The Inter-Relations between the Written Word and the Painted Image,” in: Inter-Art Journey, Nurit Yaari, ed., (Eastbourne, Chicago and Toronto: Sussex Academic Press, 2015). pp. 180-197.

11. Tamar Cholcman and Assaf Pinkus, “The Many Sides of the North: Overview and Perspectives,” in: The Sides of the North, An Anthology in Honor of Professor Yona Pinson, Tamar Cholcman and Assaf Pinkus, eds., (Cambridge: Cambridge Scholars Publishing, 2015), pp. 9-20.

12. Tamar Cholcman, “Between the Tides: The Call for Political and Economic Reforms—The Concept of Mercantilism in 1599 Antwerp”, Viator 47.3 (2016), pp. 386-410.

13. Tamar Cholcman, “’A World Picture’ – The Upside-Down World of the New World,” in: European Courts in a Globalized World, Nuno Senos ed., Palatium e-Publications, Series Editors: Krista De Jonge and Pieter Martens. (Forthcoming)

REVIEW ARTICLES:

14. Tamar Cholcman, Review of Stijn Bussels, Spectacle, Rethoric and Power: The Triumphal Entry of Prince Philip of Spain into Antwerp. (Ludus: Medieval and Early Renaissance Theatre and Drama 11). Amsterdam: Rodopi, 2012. April 23, Historians of Neherlandish Art (HNA), Book reviews 2013. http://www.hnanews.org/hna/bookreview/current/16_bussels0114.html

OTHER PUBLICATIONS:

15. Tamar Cholcman, “An den christlichen Adel deutscher Nation von des chrislichen Standes Besserung (1520),“ Vier Theologische Schriften, Tel Aviv: Ramot University Press, 2001. 27-102. (in Hebrew)

 

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