ד"ר ליאורה מלכא-ילין
|2004||Ph.D., Theatre Studies, Tel Aviv University, Israel Title of Doctoral dissertation: "Movement Generates a World: The Moving Body on Stage from a Phenomenological Perspective".|
|1996||MA, Suma Com Laude, Theatre Studies, Tel Aviv University, Israel. Master's thesis: "Theatrical Proxemics: Configuration of Space and Movement to Produce Meaning and Create Theatrical Experience".|
|1984||BA, Combined Degree: History plus Theatre History, Hebrew University, Israel|
|1991-||Teaching at Tel Aviv University, Department of Theatre Studies|
|1991-||Teaching at Tel-Aviv University, Interdisciplinary Program|
|1998-||Academic Consultant, the Inter-Disciplinary Program, Faculty of the Arts, Tel-Aviv University, Israel.|
|1994-||Organizer of the department's academic meetings, the Interdisciplinary Program, Faculty of the Arts, Tel Aviv University, Israel.|
|1992-94||Organizer of annual conventions, Oral Assaph - Studies in the Theatre, Tel Aviv University, Israel.|
"Displaying the Invisible: Self-Directed Touch as a Theatrical Gesture". In Monica Rector, Isabella Poggi, and Nadin Trigo (eds.) Gestures: Meaning and Use. Porto: Universidade Fernardo Pessoa, 2003: 325-332.
"The Poetics of Silence: Dancing Lorca", Assaph - Studies in the Theatre, Section C, 16, 2002: 109-134 (in collaboration with B. Blum).
"Woyzeck 91 - A World Without Intimacy" Theatre Research International, 25.1, 2000: 29-39.
"La Danse ou la Mort: L'Art de la Terreur sans le Sang" Protיe, 27. 1, 1999: 47-52 (French translation of 2).
"La Mort de Moliטre - A Descriptive Mapping", Assaph - Studies in the Theatre, Section C, 14, 1998: 5-44.
"Dancing vs. Dying: The Art of Bloodless Terror", Assaph - Studies in the Theatre, Section C, 14, 1998: 167-173.
"Public Forms of Privacy: Designing Images of Intimacy in the Theatre", Motar, 6, 1998: 201-208 (Hebrew).