ד"ר ליאורה מלכא-ילין

חוג לאמנות התיאטרון מורה מן החוץ

מידע כללי

קורות חיים

Education
2004 Ph.D., Theatre Studies, Tel Aviv University, Israel Title of Doctoral dissertation: "Movement Generates a World: The Moving Body on Stage from a Phenomenological Perspective".
1996 MA, Suma Com Laude, Theatre Studies, Tel Aviv University, Israel. Master's thesis: "Theatrical Proxemics: Configuration of Space and Movement to Produce Meaning and Create Theatrical Experience".
1984 BA, Combined Degree: History plus Theatre History, Hebrew University, Israel
 
Academic position
1991- Teaching at Tel Aviv University, Department of Theatre Studies
1991- Teaching at Tel-Aviv University, Interdisciplinary Program
1998- Academic Consultant, the Inter-Disciplinary Program, Faculty of the Arts, Tel-Aviv University, Israel.
1994- Organizer of the department's academic meetings, the Interdisciplinary Program, Faculty of the Arts, Tel Aviv University, Israel.
1992-94 Organizer of annual conventions, Oral Assaph - Studies in the Theatre, Tel Aviv University, Israel.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

פרסומים

 

Articles Published

 

"Displaying the Invisible: Self-Directed Touch as a Theatrical Gesture". In Monica Rector, Isabella Poggi, and Nadin Trigo (eds.) Gestures: Meaning and Use. Porto: Universidade Fernardo Pessoa, 2003: 325-332.

 

"The Poetics of Silence: Dancing Lorca", Assaph - Studies in the Theatre, Section C, 16, 2002: 109-134 (in collaboration with B. Blum).

 

"Woyzeck 91 - A World Without Intimacy" Theatre Research International, 25.1, 2000: 29-39.

 

"La Danse ou la Mort: L'Art de la Terreur sans le Sang" Protיe, 27. 1, 1999: 47-52 (French translation of 2).

 

"La Mort de Moliטre - A Descriptive Mapping", Assaph - Studies in the Theatre, Section C, 14, 1998: 5-44.

 

"Dancing vs. Dying: The Art of Bloodless Terror", Assaph - Studies in the Theatre, Section C, 14, 1998: 167-173.

 

"Public Forms of Privacy: Designing Images of Intimacy in the Theatre", Motar, 6, 1998: 201-208 (Hebrew).
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